Photographers
- Competition for jobs is expected to be keen because the work
is attractive to many people.
- Technical expertise, a “good eye,” imagination, and creativity
are essential.
- More than half of all photographers are self-employed; the
most successful are adept at operating a business and able to
take advantage of opportunities provided by rapidly changing
technologies.
Photographers produce and preserve images that paint a picture,
tell a story, or record an event. To create commercial-quality
photographs, photographers need both technical expertise and creativity.
Producing a successful picture requires choosing and presenting
a subject to achieve a particular effect, and selecting the appropriate
equipment. For example, photographers may enhance the subject’s
appearance with natural or artificial light, shoot the subject
from an interesting angle, draw attention to a particular aspect
of the subject by blurring the background, or use various lenses
to produce desired levels of detail at various distances from
the subject.
Today, most photographers use digital cameras instead of traditional
silver-halide film cameras, although some photographers use both
types, depending on their own preference and the nature of the
assignment. Regardless of the camera they use, photographers also
employ an array of other equipment—from lenses, filters, and tripods
to flash attachments and specially constructed lighting equipment—to
improve the quality of their work.
Digital cameras capture images electronically, allowing them
to be edited on a computer. Images can be stored on portable memory
devices such as compact disks (CDs) or on smaller “minipocket”
storage devices such as flash disks, which are small memory cards
used in digital cameras. Once the raw image has been transferred
to a computer, photographers can use processing software to crop
or modify the image and enhance it through color correction and
other specialized effects. As soon as a photographer has finished
editing the image, it can be sent anywhere in the world over the
Internet.
Photographers also can create electronic portfolios of their
work and display them on their own webpage, allowing them to reach
prospective customers directly. Digital technology also allows
the production of larger, more colorful, and more accurate prints
or images for use in advertising, photographic art, and scientific
research. Photographers who process their own digital images need
to have computers, high-quality printers, and editing software,
as well as the technical knowledge to use these tools effectively.
Photographers who use cameras with silver-halide film often send
their film to laboratories for processing. Color film requires
expensive equipment and exacting conditions for correct processing
and printing. (See the statement on photographic process workers
and processing machine operators elsewhere in the Handbook.)
Other photographers develop and print their own photographs using
their own fully equipped darkroom, especially if they use black
and white film or seek to achieve special effects. Photographers
who do their own film developing must invest in additional developing
and printing equipment and acquire the technical skills to operate
it.
Some photographers specialize in areas such as portrait, commercial
and industrial, scientific, news, or fine arts photography. Portrait
photographers take pictures of individuals or groups of people
and often work in their own studios. Some specialize in weddings,
religious ceremonies, or school photographs and may work on location.
Portrait photographers who own and operate their own business
have many responsibilities in addition to taking pictures. They
must arrange for advertising, schedule appointments, set and adjust
equipment, purchase supplies, keep records, bill customers, pay
bills, and—if they have employees—hire, train, and direct their
workers. Many also process their own images, design albums, and
mount and frame the finished photographs.
Commercial and industrial photographers take pictures
of various subjects, such as buildings, models, merchandise, artifacts,
and landscapes. These photographs are used in a variety of media,
including books, reports, advertisements, and catalogs. Industrial
photographers often take pictures of equipment, machinery, products,
workers, and company officials. The pictures are used for various
purposes—for example, analysis of engineering projects, publicity,
or records of equipment development or deployment, such as placement
of an offshore oil rig. This photography frequently is done on
location.
Scientific photographers take images of a variety of subjects
to illustrate or record scientific or medical data or phenomena,
using knowledge of scientific procedures. They typically possess
additional knowledge in areas such as engineering, medicine, biology,
or chemistry.
News photographers, also called photojournalists,
photograph newsworthy people, places, and sporting, political,
and community events for newspapers, journals, magazines, or television.
Fine arts photographers sell their photographs as fine
artwork. In addition to technical proficiency, fine arts photographers
need artistic talent and creativity.
Self-employed, or freelance, photographers usually specialize
in one of the above fields. In addition to carrying out assignments
under direct contract with clients, they may license the use of
their photographs through stock-photo agencies or market their
work directly to the public. Stock-photo agencies sell magazines
and other customers the right to use photographs, and pay the
photographer a commission. These agencies require an application
from the photographer and a sizable portfolio of pictures. Once
accepted, photographers usually are required to submit a large
number of new photographs each year.
Working conditions for photographers vary considerably. Photographers
employed in government and advertising studios usually work a
5-day, 40-hour week. On the other hand, news photographers often
work long, irregular hours and must be available to work on short
notice. Many photographers work part time or on variable schedules.
Most photographers spend only a small portion of their work schedule
actually taking photographs. Their most common activities are
editing images on a computer—if they use a digital camera—and
looking for new business—if they are self-employed.
Portrait photographers usually work in their own studios but
also may travel to take photographs at the client’s location,
such as a school, a company office, or a private home. News and
commercial photographers frequently travel locally, stay overnight
on assignments, or travel to distant places for long periods.
Some photographers work in uncomfortable or even dangerous surroundings,
especially news photographers covering accidents, natural disasters,
civil unrest, or military conflicts. Many photographers must wait
long hours in all kinds of weather for an event to take place
and stand or walk for long periods while carrying heavy equipment.
News photographers often work under strict deadlines.
Self-employment allows for greater autonomy, freedom of expression,
and flexible scheduling. However, income can be uncertain and
the continuous, time consuming search for new clients can be stressful.
Some self-employed photographers hire assistants who help seek
out new business.
Photographers held about 129,000 jobs in 2004. More than half
were self-employed, a much higher proportion than for most occupations.
Some self-employed photographers have contracts with advertising
agencies, magazine publishers, or other businesses to do individual
projects for a set fee, while others operate portrait studios
or provide photographs to stock-photo agencies.
Most salaried photographers work in portrait or commercial photography
studios; most of the others work for newspapers, magazines, and
advertising agencies. Photographers work in all areas of the country,
but most are employed in metropolitan areas.
Training, Other Qualifications, and Advancement |
Employers usually seek applicants with a "good eye," imagination,
and creativity, as well as a good technical understanding of photography.
Entry-level positions in photojournalism or in industrial or scientific
photography generally require a college degree in photography
or in a field related to the industry in which the photographer
seeks employment. Freelance and portrait photographers need technical
proficiency, gained through either a degree program, vocational
training, or extensive photography experience.
Photography courses are offered by many universities, community
and junior colleges, vocational-technical institutes, and private
trade and technical schools. Basic courses in photography cover
equipment, processes, and techniques. Bachelor’s degree programs,
especially those including business courses, provide a well-rounded
education. Art schools offer useful training in design and composition.
Individuals interested in a career in photography should try
to develop contacts in the field by subscribing to photographic
newsletters and magazines; joining camera clubs; and seeking summer
or part-time employment in camera stores, newspapers, or photo
studios.
Photographers may start out as assistants to experienced photographers.
Assistants acquire the technical knowledge needed to be a successful
photographer and also learn other skills necessary to run a portrait
or commercial photography business. Freelance photographers also
should develop an individual style of photography to differentiate
themselves from the competition. Some photographers enter the
field by submitting unsolicited a portfolio of photographs to
magazines and to art directors at advertising agencies; for freelance
photographers, a good portfolio is critical.
Photographers need good eyesight, artistic ability, and good
hand-eye coordination. They should be patient, accurate, and detail-oriented.
Photographers should be able to work well with others, as they
frequently deal with clients, graphic designers, and advertising
and publishing specialists. Photographers need to know how to
use computer software programs and applications that allow them
to prepare and edit images, and those who market directly to clients
should be familiar with using the Internet to display their work.
Portrait photographers need the ability to help people relax
in front of the camera. Commercial and fine arts photographers
must be imaginative and original. News photographers must not
only be good with a camera, but also understand the story behind
an event so that their pictures match the story. They must be
decisive in recognizing a potentially good photograph and act
quickly to capture it. Photographers who operate their own business,
or freelance, need business skills as well as talent. These individuals
must know how to prepare a business plan; submit bids; write contracts;
keep financial records; market their work; hire models, if needed;
get permission to shoot on locations that normally are not open
to the public; obtain releases to use photographs of people; license
and price photographs; and secure copyright protection for their
work. To protect their rights and their work, self-employed photographers
require basic knowledge of licensing and copyright laws, as well
as knowledge of contracts and negotiation procedures.
After several years of experience, magazine and news photographers
may advance to photography or picture editor positions. Some photographers
teach at technical schools, film schools, or universities.
Photographers held about 129,000 jobs in 2004. More than half
were self-employed, a much higher proportion than for most occupations.
Some self-employed photographers have contracts with advertising
agencies, magazine publishers, or other businesses to do individual
projects for a set fee, while others operate portrait studios
or provide photographs to stock-photo agencies.
Most salaried photographers work in portrait or commercial photography
studios; most of the others work for newspapers, magazines, and
advertising agencies. Photographers work in all areas of the country,
but most are employed in metropolitan areas.
Photographers can expect keen competition for job openings because
the work is attractive to many people. The number of individuals
interested in positions as commercial and news photographers usually
is much greater than the number of openings. Those who succeed
in landing a salaried job or attracting enough work to earn a
living by freelancing are likely to be adept at operating a business
and to be among the most creative, able to find and exploit the
new opportunities available from rapidly changing technologies.
Related work experience, job-related training, or some unique
skill or talent—such as a background in computers or electronics—also
are beneficial to prospective photographers.
Employment of photographers is expected to increase about as
fast as the average for all occupations through 2014. Demand for
portrait photographers should increase as the population grows.
Growth of Internet versions of magazines, journals, and newspapers
will require increasing numbers of commercial photographers to
provide digital images. The Internet also should make it easier
for freelancers to market directly to their customers, increasing
opportunities for self-employment.
Job growth, however, will be constrained somewhat by the widespread
use of digital photography and the falling price of digital equipment.
Improvements in digital technology reduce barriers of entry into
this profession and allow more individual consumers and businesses
to produce, store, and access photographic images on their own.
Declines in the newspaper industry also will reduce demand for
photographers to provide still images for print. Salaried jobs
in particular may be difficult to find as more companies contract
with freelancers rather than hire their own photographers.
Median annual earnings of salaried photographers were $26,080
in May 2004. The middle 50 percent earned between $18,380 and
$37,370. The lowest 10 percent earned less than $15,000, and the
highest 10 percent earned more than $54,180. Median annual earnings
in the industries employing the largest numbers of salaried photographers
were $32,800 for newspapers and periodicals and $23,100 for other
professional, scientific, and technical services.
Salaried photographers—more of whom work full time—tend to earn
more than those who are self-employed. Because most freelance
and portrait photographers purchase their own equipment, they
incur considerable expense acquiring and maintaining cameras and
accessories. Unlike news and commercial photographers, few fine
arts photographers are successful enough to support themselves
solely through their art.
Other occupations requiring artistic talent and creativity include
architects, except landscape and naval; artists and related workers;
commercial and industrial designers; fashion designers; graphic
designers; and television, video, and motion picture camera operators
and editors. Photojournalists are often required to cover news
stories much the same as news analysts, reporters, and correspondents.
The processing work that photographers do on computers is similar
to the work of prepress technicians and workers and desktop publishers.
For more information on these careers see the Careers
Database..
Sources of Additional Information |
Career information on photography is available from:
- Professional Photographers of America, Inc., 229 Peachtree
St. NE., Suite 2200, Atlanta, GA 30303.
- National Press Photographers Association, Inc., 3200 Croasdaile
Dr., Suite 306, Durham, NC 27705. Internet: http://www.nppa.org/
- American Society of Media Photographers, Inc., 150 North Second
St., Philadelphia, PA 19106. Internet: http://www.asmp.org/
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Source: Bureau of Labor
Statistics, U.S. Department of Labor, Occupational
Outlook Handbook, 2006-07 Edition,
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